Close to Something Beautiful
Lauren Villa’s sensuous debut is rife with playful and provocative language through which the poet explores sexuality and power dynamics. Refreshingly brazen, Villa’s poems create tension between toughness and tenderness, grit and romance, ambivalence and longing. Villa writes with confidence and curiosity, and her poems not only offer her readers “A bone to chew on,” but also create a vivid world that hangs in the balance between something beautiful and something dark and unyielding, something “tough as railroad tracks.”
— Elizabeth Hazen, author of Girls Like Us
The Hospice Bubble & Other Devastating Affirmations
In “The Hospice Bubble” talented writer Lizzie Wann is able to achieve that thing that a surprising number of writers don’t: she makes the personal accessible. Through prose that is as beautiful as it is gut-wrenching, her authenticity lets you see the singular person behind the poetry while the themes she addresses will speak to you directly in one way or another. A merging of individual story, relatability, and even social and political issues, with poetry as the medium, is what makes “The Hospice Bubble” a genuine standout.
Palabra
Palabra: Open Mic captures the spirit and diversity of an actual open mic. A regular occurrence at La Bodega Gallery in the Barrio Logan neighborhood of San Diego, Palabra brings together poets and authors with stories to tell and beautiful ways to tell them. This book is a collection of those unique voices—some are funny, some are sad, some are both. But they are all raw and real. The talented poets who attend Palabra are honest and uninhibited when they stand to share their writing. And that realness, transcribed on the pages that make up Palabra: Open Mic, is what makes the book so inviting. The reader is suddenly there, sitting alongside everyone else, a part of the community.
Love and Errors
Kimberly Dark is a writer, storyteller and raconteur, working to reveal the hidden architecture of everyday life one clever essay, poem, and story at a time. She uses humor, surprise and intimacy to help audiences discover their influences, and reclaim their power as social creators. Kimberly teaches in the graduate program in Sociological Practice at CSU, San Marcos and at Cal State Summer Arts.
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